Part 1.

I knew I wanted to be screenwriter........

Writing was something I always loved. Movies has always been something I loved. They were bound to intersect in my life and when they did, I was hooked forever. There is nothing quite like the feeling of creating a screenplay. When it’s bad, you keep working. When it’s good, it’s magic.

I know I've succeeded........ 

When for me, having material that I’ve written by on a screen that is accessible by a mass audience (Theatre, TV, Netflix, etc) would be incredible gratifying.
 

My inspiration to write ALL GOD'S CHILDREN.....

I wanted to write an underdog story. I thought ‘what would be the worst circumstances for a character to find themselves in? Having a child abducted is at the top of the list. So I formulated my story around that.

Part 2.

FilmMakers Magazine: What inspired you to write?

Natalie Hanson: Movies, life, music – everything I see, hear and experience I wonder “what movie would that fit into?”

FilmMakers Magazine: How did you prepare yourself to write your first script?

Natalie Hanson: The first time through I wrote scenes on notecards for easier organization. Reading other scripts is always a good idea. And the classic book ‘SAVE THE CAT’ is a must have.

FilmMakers Magazine: Is this your first script and how long did it take you to complete?

Natalie Hanson: Although I wish I could say it is, the truth is no, ALL GOD’S CHILDREN is not my first. Sometimes, you have to write some not so great stuff before you get to the greatness.

FilmMakers Magazine: Do you have a set routine, place and time management for writing?

Natalie Hanson: I try to do something every day. Maybe it’s outlining, writing or editing, but SOMETHING every day for 1-4 hours. I like to work in the morning but that isn’t always possible so I fit it in when I can. Before work, after work, in the car. (just kidding!)

FilmMakers Magazine: Do you believe screenplay contests are important for aspiring screenwriters and why?

Natalie Hanson: Screenwriting contests can help with visibility and connections. They are definitely something I would recommend.

FilmMakers Magazine: What influenced you to enter the FilmMakers International Screenwriting Awards / Screenplay Contest?

Natalie Hanson: Having your work read is a great incentive to enter a contest. Feedback is always a good thing.

FilmMakers Magazine: What script would you urge aspiring writers to read and why?

Natalie Hanson: One of the more recent scripts I’d recommend is DALLAS BUYERS CLUB. The writers did a fantastic job of getting maximum description out of minimum words. Amazing job – worth the read.

FilmMakers Magazine: Beside screenwriting what are you passionate about and why?

Natalie Hanson:

FilmMakers Magazine: Who is your favorite Screenwriter and Why?

Natalie Hanson: Nora Ephron. She had a wonderful blend of comedy and natural speak that allowed actors to create beautiful scenes with her words. There’s a scene in HEARTBURN between Meryl Streep and Steven Hill that is so funny and poignant at the same time, it’s almost painful to watch! Aaron Sorkin and Christopher Nolan are also favorites.

FilmMakers Magazine: Name the director you would love to work with and why?

Natalie Hanson: David Mamet. Hands down – Christopher Nolan. Dream. Come. True.

FilmMakers Magazine: Name the actor you would love to work with and why?

Natalie Hanson: I would have loved to work with Phillip Seymour Hoffman. Tilda Swinton.

FilmMakers Magazine: Any tips and things learned along the way to pass on to others?

Natalie Hanson:Have someone read your work out loud to you. After you finish something, put it down for as long as you can stand before reading it again. With time, comes perspective that will help you edit.